Saturday, March 22, 2014

An Act

ED, Portrait of a Girl, 9X11, acrylic youpo, 2012

It is simply an act, the thing you do when no one asks you to; the thing no one does without being paid for, or ordered, but no one ever would think of paying or ordering a thing like that.

It is simply a step you take when you don’t have to go anywhere, when there is no calorie count, when you are not a part of a program and it is not towards your refrigerator.

It is a thing you don’t have to submit, and don’t know how to justify if you had to. You do it alone. It leaves you in perplex. You look around and think, did anyone notice, because if anyone did, they may ask you what is it that your were just doing and why, and you won’t be able to come up with a plausible explanation right away, so you will say, um-m…. And they will get suspicious or just try to avoid you next time, or if they cannot avoid you at a party, for instance, they will have a very hard time to make a very small talk with you, and it will feel awkward to both.
  
Very few people do simple acts like that, which is strange because we all were children at some point. I am afraid that there are even fewer people now than ever, precisely because of the childhood where purpose competes with entertainment and boredom is a culprit.

Very few people do simple acts like that, and it doesn’t surprise me, because people have access. They can always busy themselves with something that helps them to blend in. So if you walk around without a devise in your ear, or on your arm, or in your pocket, if you are not wearing seat-belt or helmet, no name-tag, or uniform, you might start feeling very alien and very un-belonging. The last resort you might employ is to push something in front of you, or to find someone to ask, how can I help you, but if even these opportunities are closed, you might consider doing simply an act, the thing you do when no one asks you to; the thing no one does without being paid for, or ordered, but no one ever…       

Tuesday, March 18, 2014

Un-useful

ED, Children at the night beach, 6X8, acrylic, yupo 2012

Make yourself un-useful, say a word and listen to the sound of your voice, open yourself to the endless non-meanings of what you said, are seeing, going to do. I am at awe with the blind and deaf man who makes discoveries.  He is struck with joy. Is it because of what he sees or what he doesn’t see? He takes my wrists in his hands and gently feels my skin, and then he makes a guess. His smile is getting bigger. For him it is a joy of recognition. I feel grateful, but can’t linger. He has time for everyday explorations; I, on another hand, have work to do. What is my work, precisely? I write in a log about the young blind and deaf man who felt my wrist and recognized me in the hallway. Some other animal of my herd will read it and attach the price tag to my line completing another day of our busy lives with perfect sense. I watch the joy of those who I serve. I get its meaning. The meaning of joy brings satisfaction to my life along with monitory compensations. My life makes sense, which is stuck to me like shit. Oh, please, cut the crap. Have courage to make yourself un-useful.

Thursday, March 13, 2014

A Hidden Lover

ED, A Woman and a Bull, acrylic on canvas, 48X40, 2012

Shut down the engine and put feet on the ground. Walk a parallel trail. It leads through the law land and up into the highland, along the fast stream, across the rolling fields and crawls under the thick, dark, tall, smelly spruces. Here it gets too late and time to rush back, to get feet off the ground and start up the engine again.



Today the smell is strong, the shadows are dark, the trunks are tall, the fur is thick and I step into the interior of the spring. Does this trail ever end? Distant highway rings reality, but the voice of a single bird rings louder.  Someone lures, beckons, wants me there and I jump over another puddle. Fresh spruce sap makes me drunk and feeble at knees.  The bleeding trees. The heads of four tallest spruces are broken and dropped on the branches of surrounding trees.  I scan the ground for a fallen aircraft but find no wracked wings in the deep purple of rhododendron blossom.



In the future I brought you there. “It’s going to get a little wet,” I warned, “ the path never quite dries around here.” Your sandals sank, and you jumped over a puddle splashing ankles with dirt. With you I felt, as always, a little lonely except for a hidden lover. The day was hot. With you I felt, as always, a little guilty, apologizing for a long hike, promising that we are almost there.



I dropped my sandals on the sandy bank; you kept yours on. We walked into the creek. The floor was slanting towards the deeper end. Stunned with a sudden chill I paused watching you going under, fishlike, then flipping over and floating in the fast current to the bent trunk of leaning tree.  I made a few steps towards the opposite bank and fell tripped by an underwater rock.  I caught the bump of precipitous bank and grabbed it letting the rapid rinse the rest of me.

You floated by looking in the sky and bumping into occasional rocks. “I float with the speed of clouds in the sky,” you said, “want to try?” I didn’t trust the stream, but followed you learning to enjoy. After a few bumps I turned over and got onto my knees. In this position I brought myself up to the bank. The clouds of silky-smooth clay rose in the water where I touched the floor.  I broke a small lamp from the wall of the bank and squeezed it in my fist. Pale worms slithered between my fingers. I soaped clay onto my skin and lifted legs to dry. 

You passed me walking up the stream. “Look,” I said. You asked, “What's that?” I pointed to the bump, “It’s clay. Help me with my back,” and took the bra off. “Sure,” you said, and spread the clay over my back missing spots. “Did you cover it all?” I asked. “Yes.” “Do I look like a Greek goddess?” “Yes. “  I picked another lump. “Your turn,” I said and began smoothing your shoulders slowly progressing down to make your back shine like a Greek sculpture. Coming to the waist I pulled your shorts down. 

My palms get used to the clay. I smoothed a dent in the bank for a seat, spread some on my stomach and breast and fell back to dry. 

Naked in the day’s light you were a little shy. “Good,” you mumbled and glanced around, “the road is too close…” “ Don’t worry, everyone’s at the shore on the Forth of July, and who would want to walk in such a heat, anyway?” I was sitting in the throne of clay submerged in shallow water; you knelt making your way towards me, but slipped. Supporting myself on elbows, I moved towards you to ease your access. Clouds of clay around us spread thicker polluting clear stream at our feet.  My balancing act and your getting hard in cold water was so possible compare to our togetherness. 

I arched and faced exposed roots of fallen trees like thousand penises above my head. Old plastic bags from many floods were glued to some of them like used condoms. An emerald growth squeezed thousands penises in chocking embraces and poisoned them with thousands kisses.  Lamenting our indissoluble separateness I let out a soft moan. You froze, “Someone’s coming here!” “What? I hear nothing…” Slowly I lifted my head and locked eyes with a blond wagging lab.



Hastily cleaned of clay I turned the river bend to face the company.  “Your dog loves water as much as we do,” I said cheerfully, and pat the dog’s head, “yes, you, sweet, little doggie!” They saw our shirts on the bank, but I could tell that the sight of my bikini threw the lady off a little: she definitely though that it was out of place in given circumstances. Her husband, on another hand, looked at me favorably.



You entered the scene carried by the soft current with the speed of the clouds in the sky.  “My husband,” I explained. “He loves water!” “This is too creepy!” the lady cried. “Ah-ha-ha,” echoed her husband, “the water must be refreshing!”



You walked in front of me crossing the sandy bank. “Wait,” I plead, “ these shells hurt my soles!” “Put on your sandals,” you suggested. “I can’t,” I said, “I like to feel the ground with bare feet.”



The trees had lost their heads. I pointed at them to you, “What do you think has happened here?” I asked. “I don’t know,” you answered.






Sunday, March 9, 2014

M-I-S-T

ED, Portrait of Mochtar, detail,  acrylic on Mylar, 2014


Behind the vinyl curtain, my bare ass pressed tight against the cool smooth bottom of the basin, the basin gradually filling with hot, hot… 
I definitely am alone here, and the grid of old ceramic tiles cages the misty automatic breath of ventilation. Running water always brings the feeling indescribable in adjectives but so undeniably mine that it makes me believe that it was the first registered awareness of experienced personhood. I hold it before letting run in-between full thighs mixing bubbling amber with clear water. The goose bumps on my shoulders are dissolving, too. 
Silver yearning of the full bladder contains my hidden identity intertwined with gender, and maybe gender first, but what a bliss of beastly freedom to let it stream without changing position without shame or hygienic concern, because it spells, it spills the return to my beginning! 
I am… a diaphanous curtain that hides and reveals
I am a grid of logic, simple and flat: it measures all the shapeless entities and fixes them with points of reference 
I am a mist, and here, especially here in the short, sweet sound formed with four letters, m-i-s-t, I feel my skin again, ah, crawling with delight and a little leftover releases without an effort and overflows the tub 
I am a clear drop of mist on ceramic tabula rasa
I am  a mechanical breath of ventilator as long as the switch is on
I am a white basin containing my body submerged in my own pee diluted in H2O to the point of insignificance 
I am a basin containing something submerged in the pure water, but more importantly - 
I am a drain.